His guest verse on the latter, a track from rapper Big Sean’s album I Decided, is something else entirely: both a firework display of his technical skills and as wilfully repellent, stomach-churning and unconscionable as anything he came up with in the heyday of his alter ego Slim Shady. And yet, here he was again, the night’s biggest story, being debated everywhere from Fox News to Fortune magazine.Ġ4:29 Eminem lambasts Donald Trump in freestyle rap – video Sales aside, his position as a kind of cultural locus – an artist who, in 2002 alone, was apparently discussed 153 times in the pages of the New York Times – has long since faded, perhaps to his relief.
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He has never stopped shifting millions of albums – 2009’s Relapse and 2010’s Recovery are among the biggest-selling albums of the century so far – and he’s still a big enough star to pull in special guests such as Beyoncé and Ed Sheeran for his latest album, Revival, out next week. It’s a long time since Eminem has garnered those kinds of headlines. But the night’s big story, at least as far as most news outlets were concerned, was The Storm, a “cypher” freestyle filmed specially for the event by Eminem: four minutes of beatless invective aimed at Donald Trump that variously took in immigration, corruption, gun control, white supremacy and the NFL controversy, rapturously received by everyone from J Cole to Snoop Dogg. Between them, they more or less swept the board: Cardi B took home five gongs, Khaled and Kendrick three each. Which suggests the record company is cool with gay-bashing, wife-murdering and drug-taking, just don't mention Columbine High School massacres.Īnd the cleaned-up versions of The Marshall Mathers LP that are on sale at Wal-Mart and Kmart - with their obscenities, drug references and much of its violence bleeped - leave the gay-bashing intact.O ctober’s 2017 BET Hip-Hop Awards were a big night for Cardi B, DJ Khaled and Kendrick Lamar. The record company making millions off the album cites freedom-of-speech issues but did step in to excise the word "Columbine" from a rhyme on the track "I'm Back," in which shooting "a whole school of bullies.
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And MTV executives, whose early support of The Marshall Mathers LP helped make Eminem a must-buy among the teen fans of the boy bands he so thoroughly disses, have agreed to take more care in what messages he sends. "Eminem's hate rhymes" is the headline on the current cover. Rolling Stone has a new take on its former cover boy, after apparently listening to his CD lyrics more closely. There is some indication that the media embrace of Eminem that led him to the top of the charts may be ending. But he never apologized for "Used To Love Her," with its refrain "but I had to kill her." But eventually, Axl Rose apologized for the lyrics to "One in a Million" with its derogatory references to gays and minorities. The sentiments were again voiced by a white man from the Midwest. The last time the charts were topped by popular music acts singing about killing a woman and hating gays, it was in 1988 on the Guns N' Roses album GN'R Lies. And you can't stop me from topping these charts." "People think it's a crime to say what's on my mind," Eminem says on "Criminal." But he declares: "You can't stop me from thinking these thoughts.
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Homophobic? Nah, you're just heterophobic."Īt a time when newspapers couldn't have more heavily covered the return to New York of John Rocker, whose reported epithets were reserved for immigrants as well as gays, there is nary a word about Eminem, who sits like a king atop the charts for eight weeks now, whose recorded thoughts are now in more than 5 million homes. "My words are like a dagger with a jagged edge that'll stab you in the head, whether you're a fag or a lez," he declares. In the same track, "Criminal," Eminem says, "Half the I say, I just make up to make you mad."īut that track has received the most pointed criticism for its unbridled gay-bashing.
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Ever the joker, he adds, "If you believe that, I'll kill you." Or if I say I want to kill somebody, I'm actually going to do that or I believe in it," Eminem says in the concluding track to The Marshall Mathers LP. "A lot of people think that what I say on record or what I talk about on the record, that I actually do in real life, or that I believe in it.